Makeup Only
- 30–45 minutes for bridesmaids and mothers; 45–60 for the bride, since her look has to hold the longest.
Wedding Planning
Every wedding morning runs on the same question: what time does hair and makeup need to start? The answer moves with your ceremony, your photography plan and how many people are in the chair, here is how Anie works it out for every bridal booking she takes on.
The Short Answer
As a general range: a bride getting ready alone can be finished in under two hours. Add a few bridesmaids and a mother of the bride, and five to seven hours between the first person in the chair and the bride's final touch is typical, with larger parties pushing past that. There is no fixed formula. Anie builds the real schedule once she knows your ceremony time, your photography plan and who is having hair, makeup or both.
Start With The Camera, Not The Aisle
Most couples build their morning around the ceremony time, but the ceremony is rarely the moment hair and makeup actually needs to be finished by. With a first look, the bride needs to be dressed and camera-ready well before it: sometimes two hours or more ahead of the ceremony, once bridal-party portraits and family formals are factored in. Skip the first look and that pressure eases, but detail shots, getting into the dress and a calm last half hour still need a real place on the schedule. Anie starts from whichever of those comes first, then works backward, not from the walk down the aisle.
Chair Time
These are typical ranges, not a fixed rate card: hair length, texture and how detailed the look is all move the number. Exact timing for your party is confirmed once Anie knows what everyone wants.
The Group Multiplies It
Anie works one person at a time, so the morning is additive: every extra bridesmaid or mother adds her own block of chair time on top of everyone before her. A bride alone might need under two hours; a bride with three bridesmaids and a mother, all having hair and makeup, is closer to six, before any buffer. Past six or seven people total, a straight one-at-a-time schedule starts working against the morning: a start time forced before sunrise, or no room left for anything running long, is a sign the numbers need a hard look: sometimes trimming who gets both services versus just one, sometimes a second artist. Either way, it's worth raising when you first reach out with your date and party size, so it's solved on paper rather than on the morning itself.
The Order Of The Chair
There's no fixed rule for the middle of the order. It usually goes to whoever has somewhere to be first, or whoever's look is simplest and best done while the room is still getting organized. The bride, though, goes last: last in the chair, closest to the ceremony, so her hair and makeup are at their freshest for photos and the aisle, rather than sitting finished for hours before anyone needs her in it. That said, she is not the last thing standing between the wedding party and the ceremony: the schedule always leaves a buffer after her final touch, time to get into the dress and let the photographer catch the reveal, rather than stepping straight from the chair into the processional.
Sunrise & Early Ceremonies
A sunrise ceremony, or a first look scheduled well before most guests are awake, simply moves the whole timeline earlier: the math and the order of the chair stay the same. The only difference on the quote is the fee: any start before 7 AM carries a flat $50, agreed in advance and never a surprise on the invoice. Even an afternoon ceremony can force an early start if the photography schedule front-loads the day: it's the portrait timeline, not the ceremony time, that decides how early the morning begins.
On Location: Not At A Chair
Every appointment is on location. Anie comes to you, rather than the wedding party going to her. That removes a buffer most timelines have to account for: the drive from a salon chair back to wherever the photos are happening, hair and makeup unsettled by a car seat and a rush through a lobby. Finished here means camera-ready right where you're standing, part of why a first look can happen minutes after the last touch rather than a drive later. It does mean the room matters, which is why it's worth getting right: see the checklist above, and Anie talks through your getting-ready space when the timeline is built, not for the first time on the morning itself.
Two Real Mornings
Both are typical shapes, not universal ones: your exact times depend on your ceremony, party and whether there's a first look. Times are rounded to the half hour for clarity; a real schedule runs to five- and ten-minute marks.
Bride, three bridesmaids and the mother of the bride, all having hair and makeup.
Hair and makeup.
Hair and makeup.
Hair and makeup.
Hair and makeup.
Lunch, gown steamed, detail shots for the photographer.
Hair and makeup begins.
Finished and dressed, an hour before the ceremony for photos and family.
The processional begins.
Bride, four bridesmaids and the mother of the bride, with a first look and portraits well ahead of a 2 PM ceremony.
Early-start fee applies, arranged when the timeline was built.
Hair and makeup.
Hair and makeup.
Hair and makeup.
Hair and makeup.
Hair and makeup.
Breakfast, gown steamed.
Hair and makeup finished, dressed, half an hour before the first look.
Followed by bridal-party portraits and family formals.
To the ceremony site, with time for final touch-ups.
The processional begins.